Before eyeglass production became highly mechanized in France, "Frame France" was primarily handcrafted from the 1940s to the 1950s. Among these, some models are known for their particularly striking designs and are categorized as "avant-garde." This time, we're introducing two such models: "GARGOYLE" and "ROCK."
Of course, even with the same name, the factories and eras of production vary by individual piece, and the exact background of how the original designs came into being remains unclear. However, their overwhelmingly distinctive appearance possesses an undeniable power that makes them instantly recognizable.
The top one is Gargoyle, the bottom is Rock. In eyeglass design, the general rule is to match the outer shape of the frame with the shape of the lenses. A normal approach would never result in such a design. It's truly amazing that these forms exist, and that they were all created through hand-carving.
Beyond their immediately apparent designs, Frame France possesses several unique characteristics.
First, there's the celluloid material. While mostly replaced by acetate today, celluloid is characterized by a rich luster like tortoiseshell, deep colors, and a hard yet flexible quality. These are indispensable elements for the unique allure of Frame France.
The hinges connecting the front and temples also feature "overlay hinges," which are rarely seen in modern frames. Overlay hinges appear as if placed directly on the frame, and the added thickness in that area creates an unparalleled presence when viewed from above. It's a detail that only the wearer truly appreciates.
This particular frame features "paddle temples," named for their resemblance to the oar of a boat. The thin, sharp-edged front is unique to the hard material of celluloid, and the temples are from the 1940s, lacking a metal core. The black color, which French people generally disliked, is also a distinguishing feature, making these less common.
These frames, by modern standards, might even be considered bizarre in their design. However, from a different perspective, they can be seen as pieces born from the pure sensibility of the French, not based on whether they would be generally accepted as fashion items at a time when eyeglasses were not necessarily just fashion accessories.
Above all, contrary to their striking appearance, their fit on the face is exceptionally comfortable. I believe this is another aspect that makes Frame France so well-crafted.
This is a very rare bicolor frame. While two-tone colorings are commonplace now, they were almost unseen back then, and many people have told us they've never seen anything like it. The bleeding, nuanced colors unique to celluloid are also captivating.
To wear understated clothing, but pair it with avant-garde glasses. It goes without saying that this styling is fashionable today, but beyond that, I believe the greatest appeal lies in the fact that they are simply outstandingly cool as objects, possessing a sculptural beauty not found in modern eyeglasses.
The fit of Frame France on the face is completely different from how they look when simply sitting there. Once you wear something like this, it has such power that other glasses just won't satisfy you anymore.
We highly encourage you to experience their amazing quality firsthand at our store. You can make a reservation for your visit below, which will allow us to provide priority service. We look forward to seeing you.
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