Frame France, primarily handcrafted from the 1940s to 1950s, is known for its eye-catching designs, falling into a category called “avant-garde” for its pioneering spirit.
Among them, we introduce "Crash." Unlike other avant-garde models, this pair possesses a subtle sense of peculiarity and a charm derived from it, rather than overwhelming power.
Characterized by its melted, distorted shape, the Crash is especially popular in the "Whisky" color, so much so that there are collectors who seek out only this hue.
Based on a conventional Wellington-like shape, the Crash appears slender and easy to wear at first glance. However, as is immediately evident, its most prominent feature is the nose piece, whose shape has collapsed as if melted. The extremely large nose bridge might seem suitable for someone with an aquiline nose, but it doesn't quite align with the typical French facial features, leaving the background of its design shrouded in mystery.
The Crash comes in two types: high and low lens height. This current入荷 consists of the lower models. Considering that the contrast between the asymmetrical shape and the overall slender impression is one of its charms, I believe this type is smarter and more elegant.
The material is, of course, celluloid, and the temples are coreless. You can fully enjoy the distinctive atmosphere of 40's Frame France, such as the temples that gradually curve from a flat shape towards the tips, and the hinges that clearly show traces of being carved out.
With Frame France, the three-dot design is always reliable. Even in its fine details, this pair is impeccable.
Aside from its "crashed" shape, it appears to be a normal Frame France frame at first glance, but there are many other eye-catching details as eyewear. Points like the subtly peculiar eye shape even without considering the nose piece, and the tight-fitting end pieces that compensate for the overall width, would likely appeal to enthusiasts.
Nevertheless, due to its proportions and sizing being closer to regular glasses, it can undoubtedly be worn by a wider range of people compared to other avant-garde models. The fact that it continued to be produced not only in the 40s but also in the 50s makes one imagine that it was popular even back then, further fueling one's imagination.
Even as coreless avant-garde frames continue to soar in value with no end in sight, these two carefully selected pairs were acquired because their charm was undeniable. Please come and see them in person at our store.
