This time, we are introducing three Crown Panto frames, all with attractive colors. These models are unmistakably classic, featuring a front design typical of French vintage, with a significant difference between the lens shape and the outer frame.
The name Crown Panto comes from the upper half of the front, which looks like a cut-out crown, combined with the Panto shape of the lower half. The straight, decisive cuts and the raised bridge, along with details like the keyhole, give the upper half a sharp impression. In contrast, the curved, relaxed lower half creates a bold contrast. It's an enduring design that remains fresh despite the passage of time.
The Crown Panto design holds the most significant position in French vintage eyewear. It features many vintage-like details, such as two-dot rivets and angular shield hinges.
Furthermore, all three frames this time were produced in the 1940s and have temples without core wires, allowing you to fully enjoy the unique texture of vintage celluloid with its transparency.
The clear frame, transparent like pure water, pairs well with dark-colored lenses. It also features wide temples and a larger front size, which is rare for French frames, which often have compact sizes.
The popular Turtoise color features a unique hue and texture that can only be found in 1940s celluloid, completely different from acetate. The unique richness of celluloid is most apparent in this frame among the three.
Rose, which may seem flashy at first glance, is actually a versatile color that goes with everything. It blends particularly well with Japanese skin tones, making it suitable for anyone. The subtle gradations that change depending on the viewing angle are captivating.
Because the material is transparent, it is immediately obvious that there is no core wire. Coupled with the classic Crown Panto design, its vintage nature is clear at first glance.
While the Crown Panto shape itself has been adopted by various manufacturers due to the recent popularity of vintage styles, such power cannot be achieved without the original.
The color and texture of the original celluloid, as well as the sharpness of the edges and the roundness achieved through hand finishing, are unique to the original. There's a distinct atmosphere that's immediately recognizable, unlike the neat, mass-produced feel of current eyewear.
Precisely because it is a classic among classics, even without much explanation, it is a formidable model whose true essence is only conveyed when you hold it in your hands. If you're into French vintage, this is an essential piece. We encourage you to make a reservation and try it on at our store.
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